On Breasts: The Hang Coefficient
The qualitative factor most linked to the universal aesthetic of perfection in breasts is 'the hang.'
There is a meme about the “aristocratic elegance of the small-breasted woman” that has been going around for a few years now. This is funny, contains several half-kernels of truth, and has proven simplistic enough to achieve viral escape velocity. Unfortunately, as with any mass democratic consensus, it is woefully inadequate and caters primarily to those wishing to LARP as having good taste.
Size of breast fundamentally comes down to personal preference. I’m sorry to tell you this, but there are no shortcuts in matters of taste. On its own, separate from the whole, size is a meaningless vector for a substantive aesthetic analysis. If we must isolate one single factor, for the sake of virality, the qualitative factor most linked to the universal aesthetic of perfection in breasts is the hang.
Big, small, asymmetric, tuberous, plump, flat, areolic, or not, all of these are just variables that combine into the overall aesthetic composition of the hang of the breasts. The hang is what truly matters; it is what most evokes man’s passion for the feminine breast. The hang is what counts most for the true connoisseur.
Movement And Transformation
Observe this gallery; all photographs are of the same woman with exceptionally large breasts and high aesthetic hang coefficient. See how the breasts are free to move, become unbalanced, and transform endlessly. This fluidity of the breasts satiates our innate human desire for endless change. The slightest change to her posture unlocks new feasts for the eyes. This set of photographs entices us to imagine the full range of possibilities which, thanks to exceptional hang, appear endless to us.
There is an implication of delicate balance in every frame. In person, the viewer comes away with the feeling that certain views will never be seen again. The degree of arousal, the precise pose, the angle of observation, the moment in time—it’s all flowing into the compositions before us; it won’t last but a moment.
Everything is more beautiful because we're doomed. You will never be lovelier than you are now. We will never be here again.
— Homer, The Iliad
The hang accounts for the living aspect of breasts; it acknowledges their effervescent nature. The possibilities stretch like the infinite universe itself, exploding outward in a torrent of expansiveness. With her arms stretched above her head, they approximate a warrior’s armor. With hands across her belly, they are transformed into symbols of nourishment. With her back to the camera, the breast peeks out and entices us to adopt a more curious posture towards her. When she is bent over, their heft is quite literally felt within us.
No Less Expansive
Breast size discourse misses the point. Observe the next gallery of another model, still sizable, but with a great deal smaller breasts than the previous example. Here we see the same capacity for infinite movement and transformation. The possibilities are no less expansive in scope just because she has a smaller stature of breast. Again, her hang coefficient is magnificent.
Their movement is still capable of similar inspirations as the bustier specimen. Indeed, when we observe her on her back with hips in the air, the breasts recede a great deal into her body—a marvelous discovery that inspires intrigue and an arousing sense of confusion. It reminds us that we have limited understanding of the true mechanics of her form.
Her breasts’ capacity for change is no less than that of the former model. In some of the photos, we observe a racked-up beauty; in others, her chestiness is significantly suppressed. The effect is the same: it takes our imagination on a rollercoaster ride of possibility.
We don’t truly understand, but we sense that all of the parts play a role in constructing the hang. The nipple’s construction, its level of arousal at the moment the shutter clicks, the mass, the unseen musculature beneath the breasts—it all comes together to form the whole. We catch glimpses of this complete architecture when we train our focus on the hang. The hang is our key to unlocking these mysteries; it is our Rosetta Stone to her form.
Careful Discernment
As we move further down the stack, examples of elite hang coefficient become a bit harder to find online. In smaller-breasted specimens, pose becomes more essential for proper evaluation. Here we see exceptional examples of the hang. Viewed from the side, we are able to spy her breasts delicate contouring. The second photo shows off the capacity for the underside of her breasts to create enticing lines.
Another model, presented further down, exhibits a sensual straightness, a kind of reverse J present at her inner breast—a most welcome byproduct of the hang. In the second frame, we observe her breast from the side; her posture retracts the hang somewhat, and this serves to emphasize the hang even further, stirring our imagination even more. We can’t help but feel, along with her, the postural changes that cause this hang alteration within her. We imagine the textural changes we might be able to notice, were we there with her, able to engage the breast manually.
Yes, as we get smaller, the hang is less severe overall, but it’s effect is still totally present, just as complete as in the others. It’s just that there is less dynamic range required to achieve the same effects as in the bustier women. The capacity for alluring movement is still there; the possibility of transformation is no less present due to the smaller size—they just require more careful discernment from us.
Suboptimal Hang
Here are two examples of poor hang coefficient in otherwise stunning specimens. Perhaps these counter-examples will help you to more fully understand the hang.
Remember, a photo captures a moment in time, so some of these subjects are indeed capable of poses that bring them nearer to optimal hang. But these particular photos capture suboptimal hang and are presented for the purposes of learning. Of course, there are also many examples of too much hang, incorrect hang, etc. But we will not be covering any of that in this piece here today. Today’s piece is about what makes the perfect breasts, not what does not.
Movements That Move Us
The hang is about a capacity for movement, a boundlessness, a potential for energy, it’s about the infinite possibility for transformation; it stuns us into a sense of wonder as we contemplate the sheer scale of what has been, what is right now, and what could be.
The hang…
…makes the beauty of breasts infinite; it unlocks a world in which anything is possible, it inspires us to think about the sprawling nature of everything. The hang reminds us that without movement there is no life, and that is precisely why the hang moves us so.
Thanks for reading.
Inspiration
This post was inspired by the viral photo of the Europeans (or were they Americans?), smoking at a cafe table outside in Italy this weekend. There is a very beautiful woman in the photo, I was surprised to see so little attention paid to her beauty. I believe she is likely to have elite hang, which got me thinking.
I'm gonna be honest man it's a little hard to pay attention to the actual words you're saying in this article
The article I wish I wrote